Call Us Now: (504) 282-7611

Celebrating African-American Artists: Matt Baker

Back in the 1990s, Sotheby’s held a breakthrough auction of comic book art. In the years hence, the genre has captured the imagination of collectors the world over. Today The Appraisal Group celebrates the life and work of Matt Baker (1921-1959),  the first African-American graphic artist to find success in the comic book industry. He was there for the birthing of it. He was the man who re-designed Phantom Lady into her best known incarnation during the Golden Age of comics. Matt Baker was inducted into the Will Eisner Comic Book Hall of Fame in 2009.

Born in Forsyth County, NC, raised in Pittsburgh, PA, Matt Baker spent his late teens in Washington, DC. Heart disease kept him from the World War II draft. He matriculated at Cooper Union in New York City and entered the world of comics through the Jerry Iger Studio, a packager that outsourced comics to publishers entering the new medium.

Matt Baker was a master at capturing the female form. His super heorines of the “good girl” comics are filled with nuance and subtle detailing.  Among these are his first confirmed work,  the 12-page “Sheena, Queen of the Jungle” story in Fiction House‘s Jumbo Comics #69 (cover-dated Nov. 1944), in which he penciled and inked the women while Robert Webb and Alex Blum did the rest. He also did work for Canteen Kate, drawing all 22 installments,  as well as stories in the suspense anthology Tales of The Mysterious Traveler; the comedic-adventure feature “Sky Girl” in Fiction House‘s Jumbo Comics, the jungle adventure Tiger Girl.  Flamingo, South Sea Girl, Glory Forbes, Kayo Kirby, Risks Unlimited, and Lorna Doone owe a debt to Baker’s skills.

Publishers that relied on Matt Baker include Fiction House, Fox ComicsQuality Comics and St. John Publications. In later years, he independently teamed with inker Jon D’Agostino under the pseudonym Matt Bakerino at Charlton Comics. He later used the pen name Curt Davis. 

 Matt Baker’s work comes up regularly at auction and at comic book conventions. When we come across a collection that is undocumented, The Appraisal Group works with comic book experts to appraise value.

 

Leave a comment

Your email address will not be published. Required fields are marked *

Related Posts

How Much is Your Collection Worth? The Appraisal Group Answers

If your collection is your passion, it pays to know how much value you should place on it. Perhaps you know to the decimal point how much you paid for cars, furniture or fine art. Perhaps you don’t...

Welcome to the Estate Sale Center in New Olreans

Welcome to the inaugural sale at The Appraisal Group’s new Estate Sale Center in New Orleans. This is where I take beautiful orphans families don’t want to send to auction or sell privately. Most o...

Prairie Style – An American Original

This week The Appraisal Group is featuring the look book of 20th-century Americana. Today, we visit Prairie style. Solidly American, Prairie Style was an outgrowth of the American Arts and Crafts M...

Celebrating African-American Artists: Henry Ossawa Tanner

Now that it is Black History Month, it seems appropriate that The Appraisal Group pay homage to the men and women of color who have contributed to the remarkable body of work that makes up the Amer...

Americana Collector Lewis W. Scranton

When it comes to collecting fine art and antiques, some people just can’t get enough.  One of these is Lewis W. Scranton. a Connecticut yankee whose passion is fine Americana.  Today The Appraisal ...

The “I Overpaid” Fine Art & Antiques Appraisal

When shopping antiques fairs and flea markets, the visual appeal that captivates you and drives you to purchase frequently over rides the actual value of the item. At The Appraisal Group, we unders...